“We should not question his motives, he is a superhero, they save the day— end of discussion.” In the first instalment of his column, Joel Whitaker explores the connection between an iconic character and a global media conglomerate.
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“We should not question his motives, he is a superhero, they save the day— end of discussion.” In the first instalment of his column, Joel Whitaker explores the connection between an iconic character and a global media conglomerate.
Read MoreFor the June edition of Roles in Retrospect, the focus is on Gemma Arterton and Elizabeth Debicki in the imaginative period drama ‘Vita & Virginia’.
Read MoreIn this month’s Roles in Retrospect, we take a look at how Hailee Steinfeld charmed audiences as an angsty and musically talented teen for the first time in 2013’s ‘Begin Again’.
Read MoreIn this special International Women’s Day edition of Roles in Retrospect, two of our staff writers reflect on the actresses’ past performances that are memorable to them.
Read MoreThis month, we’re looking at Gugu Mbatha-Raw’s star turn in 2014’s ‘Beyond the Lights’ and how it reflects February’s theme of “revolution”.
Read More“In the hands of a less capable actress, Saraya could have easily become a one-dimensional stereotype. However, Pugh’s portrayal of the young up-and-coming wrestler makes her feel truly human.”
Read MoreIn our first edition of ‘Roles In Retrospect,’ we focus on talented young New Zealand actress Thomasin McKenzie and her performance in 2018’s ‘Leave No Trace’.
Read More‘Factory to the Workers’ explores the only example of a working factory co-operative in post-socialist Europe, examining its triumphs, its shortcomings, and what is holding it back.
Read MoreLGBTQ+ audiences sometimes want more light-hearted stories — like 2014’s ‘Pride,’ written by Stephen Beresford.
Read MoreDaniel Draper and Allan Melia explore Liverpool 8 in their latest film, using Don McCullin’s photographs as a rough guide.
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