Between the Lines: NFF Writers Talk About Their Short Films

I was fortunate enough to have a virtual chat with not one, but two writers featured in the strand: Mike Marriage with his dystopian drama Ghillie and Azhur Saleem with his dark thriller Muse.

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Loud but Not So Proud

With our identities out and “proud”, LGBTQ+ people instead had our qualities and our stories tainted by their own subtext that still made effort to put us in our place.

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Women in Horror Presents: The Scream Queen Awards

Every awards season, Scream Queens are snubbed with little-to-no recognition. It isn’t until years later, when their films have reached “legendary” status, that you begin to hear things like, “She was the best,” “There’s no other like her,” and whatnot. Well we here at Flip Screen, do not want to wait until the page has turned to honor these amazing Women in Horror. That is what this column is all about. So, we decided to put together a Scream Queen Awards to give recognition to the many powerful performances that have graced the horror genre.

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Top of the Docs #37 – LFF Special: ‘If It Were Love’ (2020) Reminisces on Human Touch

If It Were Love is an intense film following the touring show of Crowd from theatre to theatre. The fly on the wall documentary observes these performers behind the scenes.

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Top of the Docs #36 – LFF Special: ‘Time’ (2020)

Garrett Bradley, a first-time filmmaker, brings us perhaps the most damning indictment of the system yet, with her film Time.

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Now That’s What I Call Kino #13 – The Significance of ‘Night of the Living Dead’

Few films have impacted the horror genre like Night of the Living Dead (1968). As George A Romero’s debut, this b-movie would end up becoming a cult classic that would inspire and create a whole new genre of film. It’s no secret that Romero gained his nickname ‘the King of the Zombies’ for Living Dead…

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Between the Lines: How David Robert Mitchell Writes Horror in the ‘It Follows’ (2014) Screenplay

The surprise horror hit of 2014 is a truly terrifying film thanks to its central premise.

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Why You Can’t Separate Camp and Horror

The art of camp is both nuanced and outrageously blatant in the best way. It’s like being slapped in the face by a penguin wearing a bedazzled denim jacket – you’re not too sure what’s happening, or why it’s happening, but you damn well notice it…

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Now That’s What I Call Kino #12 – Silent Era Classic: The Phantom Carriage

This week’s column piece may be a short one as London Film Festival has kept me busy, but I’m still carrying on with the spooky theme for October by highlighting a classic horror film from the silent era that you should check out: The Phantom Carriage (1921). One of the most important and earliest works…

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Now That’s What I Call Kino #11 – Who is the Greatest Universal Monster?

To carry on Spooktober, following on from The Twilight Zone last week, I thought I may as well talk about another horror favourite of mine – which is the Universal Monster Movies. Although I wouldn’t class myself as ‘obsessed,’ my monster pillow, Bela Lugosi pin and various small posters in my room is still more…

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