This month Bridesmaids will be celebrating its ten year anniversary, a modern commercial and critical hit.
Read More
This month Bridesmaids will be celebrating its ten year anniversary, a modern commercial and critical hit.
Read MoreThe Gleaners and I is a film not just revolutionary for its ground-breaking use of handheld digital cameras, but also for the way in which Varda set about making the film.
Read MoreA young boy named Shine (Juan Ramon Lopez) stands in an alleyway, spray-painting a tiger on the walls. The black paint drips fresh as a narrator tells the story of a prince. This month’s highlighted film on Shudder for Women in Horror is Tigers Are Not Afraid (Vuelven) (2017), written and directed by Issa Lopez. It’s a story about five Mexican children whose lives have been devastated by the ongoing drug war. When Estrella’s (Paola Lara) teacher gives her three magic pieces of chalk that grant her three wishes, the children’s lives drastically change into a game of cat and mouse.
Read MoreDespite not holding the soothing influence of Bob Ross throughout its runtime, El sol del membrillo is perhaps the defining documentary about painting.
Read MoreWith Dawson City: Frozen Time the, extremities at which film can survive is told through a documentary narrative like no other.
Read MoreWithout diminishing the nominees, there is one screenplay that should have made the cut.
Read MoreRoger & Me is undoubtedly a film about how American cities, both big and small, are beholden to corporate power.
Read MoreManhatta is considered by some to be the first American avant-garde film, and as such, captures much more than just the city of New York.
Read MoreWhat honestly makes this film whole is the writing, because it incorporates all the elements needed to tell a complete story.
Read MoreFrom stairwells to suburbs and beyond, Los Angeles quite literally is cinema, and Thom Andersen’s Los Angeles Plays Itself sets out to prove it.
Read More