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ARCHIVE

  • How Łukasz Żal Created Loneliness and Alienation in ‘Cold War’ (2018)
    19th Mar 2021

    How Łukasz Żal Created Loneliness and Alienation in ‘Cold War’ (2018)

    Nuha Hassan
  • Did ‘Hannibal’ (2001) Cannibalise Itself?
    17th Mar 2021

    Did ‘Hannibal’ (2001) Cannibalise Itself?

    Ceridwen Millington
  • Lyra’s World: Adapting His Dark Materials
    16th Mar 2021

    Lyra’s World: Adapting His Dark Materials

    jomreid
  • [Nostalgia Week] ‘Josie and the Pussycats'(2001) is a Feminist Text
    12th Mar 2021

    [Nostalgia Week] ‘Josie and the Pussycats'(2001) is a Feminist Text

    Jenni Holtz
  • [Nostalgia Week] The Hidden Subtext of Nickelodeon
    8th Mar 2021

    [Nostalgia Week] The Hidden Subtext of Nickelodeon

    jamespalmerfilm
  • ‘September’ (2007), ‘Muriel’s Wedding’ (1994) and the Power of Friendship in Australian Cinema
    6th Mar 2021

    ‘September’ (2007), ‘Muriel’s Wedding’ (1994) and the Power of Friendship in Australian Cinema

    Amy Tonta
  • [The Revolution Will Be Televised] ‘True History of the Kelly Gang’ (2019) and the Mythological Bedrock of Rebellion
    24th Feb 2021

    [The Revolution Will Be Televised] ‘True History of the Kelly Gang’ (2019) and the Mythological Bedrock of Rebellion

    georgeforster1998
  • 20th Anniversary of ‘Unbreakable’ (2000): What M. Night Shyamalan Gets Right About Superheroes
    20th Feb 2021

    20th Anniversary of ‘Unbreakable’ (2000): What M. Night Shyamalan Gets Right About Superheroes

    harrikd
  • ‘Promising Young Woman’ (2020) and the Reality of Sexual Trauma
    17th Feb 2021

    ‘Promising Young Woman’ (2020) and the Reality of Sexual Trauma

    oawootton
  • ‘It’s a Sin’ (2021) Exploring Fear of the Unknown
    15th Feb 2021

    ‘It’s a Sin’ (2021) Exploring Fear of the Unknown

    Jessica Cullen
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