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ARCHIVE

  • The Queer Sexual Tension in Detective Stories
    15th Sep 2020

    The Queer Sexual Tension in Detective Stories

    Michaela Barton
  • 10 Years On, ‘Never Let Me Go’ (2010) Isn’t As Bleak As You Remember
    15th Sep 2020

    10 Years On, ‘Never Let Me Go’ (2010) Isn’t As Bleak As You Remember

    Gavin Spoors
  • ‘The George Lucas Talk Show’ (2020) is an Earnestly Silly Celebration of Star Wars
    14th Sep 2020

    ‘The George Lucas Talk Show’ (2020) is an Earnestly Silly Celebration of Star Wars

    Paige Kiser
  • Now That’s What I Call Kino #7 – The Legacy of Lou Gehrig in The Pride of the Yankees (1942)
    13th Sep 2020

    Now That’s What I Call Kino #7 – The Legacy of Lou Gehrig in The Pride of the Yankees (1942)

    jamespalmerfilm
  • REVIEW: ‘I’m Thinking of Ending Things’ (2020) is a Paradox of a Film
    8th Sep 2020

    REVIEW: ‘I’m Thinking of Ending Things’ (2020) is a Paradox of a Film

    Gavin Spoors
  • Now That’s What I Call Kino #6 – The Classic Shorts of Looney Tunes
    7th Sep 2020

    Now That’s What I Call Kino #6 – The Classic Shorts of Looney Tunes

    jamespalmerfilm
  • The Artful Brutality of Jesse V. Johnson and Scott Adkins
    3rd Sep 2020

    The Artful Brutality of Jesse V. Johnson and Scott Adkins

    Cian Tsang
  • “You Shame Me!”- Analyzing a Woman’s Shame in ‘Drag Me to Hell’ (2009)
    2nd Sep 2020

    “You Shame Me!”- Analyzing a Woman’s Shame in ‘Drag Me to Hell’ (2009)

    Jacinda Perez
  • REVIEW: Tenet (2020) Strives to Break New Ground
    31st Aug 2020

    REVIEW: Tenet (2020) Strives to Break New Ground

    jamespalmerfilm
  • Now That’s What I Call Kino #5 – The Effects of Imperialism in Golden Age Horror
    30th Aug 2020

    Now That’s What I Call Kino #5 – The Effects of Imperialism in Golden Age Horror

    jamespalmerfilm
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