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ARCHIVE

  • Creating An Imagined Reality: The Cinematic Brilliance Of ‘Inception’ (2010) Ten Years Later
    16th Jul 2020

    Creating An Imagined Reality: The Cinematic Brilliance Of ‘Inception’ (2010) Ten Years Later

    Hayley Paskevich
  • “One is not born, but rather becomes, woman”: Identity and Performativity in Céline Sciamma’s ‘Water Lilies’ (2007)
    16th Jul 2020

    “One is not born, but rather becomes, woman”: Identity and Performativity in Céline Sciamma’s ‘Water Lilies’ (2007)

    Vittoria Benedetti
  • ‘Sisters’ (1973) is a Reminder of Today’s Not-So-New Discussion
    15th Jul 2020

    ‘Sisters’ (1973) is a Reminder of Today’s Not-So-New Discussion

    Jacinda Perez
  • Criminal Record # 7 – Murder Mystery Meets Slasher in ‘The Abominable Dr Phibes’ (1971)
    14th Jul 2020

    Criminal Record # 7 – Murder Mystery Meets Slasher in ‘The Abominable Dr Phibes’ (1971)

    fedortot
  • The Wes Dispatch #4: ‘The Life Aquatic with Steve Zissou’ (2004) and the Anti-Hero’s Journey
    10th Jul 2020

    The Wes Dispatch #4: ‘The Life Aquatic with Steve Zissou’ (2004) and the Anti-Hero’s Journey

    Josh Sandy
  • How ‘It Follows’ (2014) Re-Imagines the Final Girl
    8th Jul 2020

    How ‘It Follows’ (2014) Re-Imagines the Final Girl

    Jenni Holtz
  • REVIEW: Shudder Original ‘The Beach House’ (2020) is Neither Scary nor Memorable
    6th Jul 2020

    REVIEW: Shudder Original ‘The Beach House’ (2020) is Neither Scary nor Memorable

    Kevin Woodley
  • REVIEW: ‘In Her Hands’ (2020) is a Heart-warming, if Heavily Clichéd, Demonstration of the Power of Music
    6th Jul 2020

    REVIEW: ‘In Her Hands’ (2020) is a Heart-warming, if Heavily Clichéd, Demonstration of the Power of Music

    Josh Sandy
  • Criminal Record #6 – Denzel Washington and the Value of Charisma
    30th Jun 2020

    Criminal Record #6 – Denzel Washington and the Value of Charisma

    fedortot
  • PRIDE 2020: “It makes me feel free, or some shit” – Coming Out of Hiding as Portrayed in ‘Slap’ (2014) and ‘Miller & Son’ (2019)
    30th Jun 2020

    PRIDE 2020: “It makes me feel free, or some shit” – Coming Out of Hiding as Portrayed in ‘Slap’ (2014) and ‘Miller & Son’ (2019)

    Rebecca Rosén
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