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ARCHIVE

  • 100 Great LGBTQ+ Characters and Couples
    15th Jun 2020

    100 Great LGBTQ+ Characters and Couples

    Sophie Butcher
  • PRIDE 2020: The Casual Queerness of ‘She-Ra and the Princesses of Power’ (2018)
    13th Jun 2020

    PRIDE 2020: The Casual Queerness of ‘She-Ra and the Princesses of Power’ (2018)

    Alex Dewing
  • REVIEW: ‘Fanny Lye Deliver’d’ (2019) is an Offbeat Feminist Folk Horror
    12th Jun 2020

    REVIEW: ‘Fanny Lye Deliver’d’ (2019) is an Offbeat Feminist Folk Horror

    Kevin Woodley
  • The Wes Dispatch #3: Trauma, Grief and Accepting Help in ‘The Royal Tenenbaums’ (2001)
    12th Jun 2020

    The Wes Dispatch #3: Trauma, Grief and Accepting Help in ‘The Royal Tenenbaums’ (2001)

    Josh Sandy
  • PRIDE 2020: ‘Sunday Bloody Sunday’ (1971) Uses Sexuality to Portray the Longing for Love
    11th Jun 2020

    PRIDE 2020: ‘Sunday Bloody Sunday’ (1971) Uses Sexuality to Portray the Longing for Love

    Gavin Spoors
  • REVIEW: The House That Jack Built (2018) is “Fascinating but Gruesome”
    10th Jun 2020

    REVIEW: The House That Jack Built (2018) is “Fascinating but Gruesome”

    Jenni Holtz
  • MHAM: ‘We All Have Powers’: Grief and Trauma in the Spider-Man Films
    8th Jun 2020

    MHAM: ‘We All Have Powers’: Grief and Trauma in the Spider-Man Films

    Paige Kiser
  • MHAM: A World of Unsane Women – A Look Into ‘Unsane’ (2018)
    27th May 2020

    MHAM: A World of Unsane Women – A Look Into ‘Unsane’ (2018)

    Jacinda Perez
  • MHAM: ‘Fleabag’ (2016-2019) and the Messy Reality of Mental Illness
    25th May 2020

    MHAM: ‘Fleabag’ (2016-2019) and the Messy Reality of Mental Illness

    Michaela Barton
  • ‘Succession’ and the Deconstruction of Fake Feminism
    24th May 2020

    ‘Succession’ and the Deconstruction of Fake Feminism

    Anna McKibbin
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