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ARCHIVE

  • INTERVIEW: Coralie Fargeat Talks About Pushing the Boundaries With ‘Revenge’ (2017)
    10th May 2020

    INTERVIEW: Coralie Fargeat Talks About Pushing the Boundaries With ‘Revenge’ (2017)

    jamespalmerfilm
  • ‘Fences’ (2016) and the Scene of Conflict Trailer
    10th May 2020

    ‘Fences’ (2016) and the Scene of Conflict Trailer

    Josh Parker
  • Criminal Record #3 – The Devil is in the Detail – Jean-Pierre Melville
    5th May 2020

    Criminal Record #3 – The Devil is in the Detail – Jean-Pierre Melville

    fedortot
  • Top of the Docs #15 – ‘Shut Up and Sing’ and ‘Miss Americana’
    30th Apr 2020

    Top of the Docs #15 – ‘Shut Up and Sing’ and ‘Miss Americana’

    Paige Kiser
  • She’s a Bad Mama Jama: A Dedication to Pamela Voorhees
    29th Apr 2020

    She’s a Bad Mama Jama: A Dedication to Pamela Voorhees

    Jacinda Perez
  • REVIEW: ‘The Sharks’ Is a Subtle yet Hypnotic Coming of Age Film
    25th Apr 2020

    REVIEW: ‘The Sharks’ Is a Subtle yet Hypnotic Coming of Age Film

    oakleymoranfilm
  • INTERVIEW: Lynn Renee Maxcy Talks About How She Wrote an Interactive Film with ‘The Complex’ (2020)
    24th Apr 2020

    INTERVIEW: Lynn Renee Maxcy Talks About How She Wrote an Interactive Film with ‘The Complex’ (2020)

    Gavin Spoors
  • REVIEW: Swallow (2019) is “Horrifying Precisely Because of How Real it Feels”
    22nd Apr 2020

    REVIEW: Swallow (2019) is “Horrifying Precisely Because of How Real it Feels”

    Jenni Holtz
  • Criminal Record #2 – Populist TV, Populist Authority in ‘Money Heist’ (2017)
    21st Apr 2020

    Criminal Record #2 – Populist TV, Populist Authority in ‘Money Heist’ (2017)

    fedortot
  • ‘Frankenstein’: One Big Queer Family
    21st Apr 2020

    ‘Frankenstein’: One Big Queer Family

    Michaela Barton
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