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ARCHIVE

  • 30 Years On, Twin Peaks Proves That It’s Damn Fine to be Weird
    8th Apr 2020

    30 Years On, Twin Peaks Proves That It’s Damn Fine to be Weird

    Kevin Woodley
  • Class, Capitalism and Crime in ‘The Long Good Friday’
    7th Apr 2020

    Class, Capitalism and Crime in ‘The Long Good Friday’

    fedortot
  • ‘Rampage’ (2018) and the Classification of Non-Human Violence
    7th Apr 2020

    ‘Rampage’ (2018) and the Classification of Non-Human Violence

    Josh Parker
  • REVIEW: Dimension 20’s ‘A Crown of Candy’ is a Royal Success
    6th Apr 2020

    REVIEW: Dimension 20’s ‘A Crown of Candy’ is a Royal Success

    Bethany Datuin
  • GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing
    5th Apr 2020

    GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing

    Sophie Butcher
  • REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward
    5th Apr 2020

    REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward

    Gavin Spoors
  • BFI FLARE REVIEW: ‘My Fiona’ (2020) Is A Heartfelt Look at Love And Loss.
    2nd Apr 2020

    BFI FLARE REVIEW: ‘My Fiona’ (2020) Is A Heartfelt Look at Love And Loss.

    Emily Maskell
  • Top of the Docs #11 – The Decline of Western Civilisation Parts I-III
    2nd Apr 2020

    Top of the Docs #11 – The Decline of Western Civilisation Parts I-III

    Joel Whitaker
  • Battle of the Killer Prom Nights
    1st Apr 2020

    Battle of the Killer Prom Nights

    Jacinda Perez
  • Cell Adore Film Festival: The perfect online festival for a lockdown
    30th Mar 2020

    Cell Adore Film Festival: The perfect online festival for a lockdown

    Michaela Barton
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