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ARCHIVE

  • Let the Past Die: Generational Conflict in Rian Johnson Films
    21st Mar 2020

    Let the Past Die: Generational Conflict in Rian Johnson Films

    Gavin Spoors
  • Thor, ‘Avengers: Endgame’, And The Problem With Fatsuits
    20th Mar 2020

    Thor, ‘Avengers: Endgame’, And The Problem With Fatsuits

    Sophie Butcher
  • Top of the Docs #9 – Baseball and the Documentary Epic
    19th Mar 2020

    Top of the Docs #9 – Baseball and the Documentary Epic

    Joel Whitaker
  • GFF REVIEW: The Plot of ‘Dirt Music’ Lets Down Passionate Lead Performances
    18th Mar 2020

    GFF REVIEW: The Plot of ‘Dirt Music’ Lets Down Passionate Lead Performances

    Sophie Butcher
  • GFF REVIEW: ‘County Lines’ Is An Unmissable Debut From Henry Blake
    16th Mar 2020

    GFF REVIEW: ‘County Lines’ Is An Unmissable Debut From Henry Blake

    Sophie Butcher
  • REVIEW: ‘Calm With Horses’ Is A Truly Heart-Pounding Thriller With A Revelatory Lead Performance
    15th Mar 2020

    REVIEW: ‘Calm With Horses’ Is A Truly Heart-Pounding Thriller With A Revelatory Lead Performance

    Sophie Butcher
  • Review: With Season Three, ‘Castlevania’ (2020) Becomes a Show That is at Once Thoughtful and Nihilistic
    14th Mar 2020

    Review: With Season Three, ‘Castlevania’ (2020) Becomes a Show That is at Once Thoughtful and Nihilistic

    Gavin Spoors
  • REVIEW: ‘The Invisible Man’ (2020) is a Stunning Reinvention of a Classic Movie Monster
    13th Mar 2020

    REVIEW: ‘The Invisible Man’ (2020) is a Stunning Reinvention of a Classic Movie Monster

    Kaiya Shunyata
  • REVIEW: ‘It All Begins With a Song’ Reveals the Force That Is the Nashville Songwriter
    13th Mar 2020

    REVIEW: ‘It All Begins With a Song’ Reveals the Force That Is the Nashville Songwriter

    oakleymoranfilm
  • REVIEW: ‘Ginger Snaps’ (2000) Says that Becoming a Woman is an Undue Curse
    11th Mar 2020

    REVIEW: ‘Ginger Snaps’ (2000) Says that Becoming a Woman is an Undue Curse

    Jacinda Perez
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