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ARCHIVE

  • REVIEW: ‘The Lodge’ (2020) Shows a Terrifyingly Realistic Descent into Madness
    4th Mar 2020

    REVIEW: ‘The Lodge’ (2020) Shows a Terrifyingly Realistic Descent into Madness

    Jenni Holtz
  • REVIEW: ‘Color Out of Space’ (2020) A Technicolour Wonder of Cosmic Horror
    2nd Mar 2020

    REVIEW: ‘Color Out of Space’ (2020) A Technicolour Wonder of Cosmic Horror

    Kevin Woodley
  • Flip Screen’s Guide to March 2020
    2nd Mar 2020

    Flip Screen’s Guide to March 2020

    georgeforster1998
  • GFF REVIEW: ‘Proxima’ Is A Moving Meditation on Motherhood and Ambition
    1st Mar 2020

    GFF REVIEW: ‘Proxima’ Is A Moving Meditation on Motherhood and Ambition

    Sophie Butcher
  • GFF REVIEW: ‘Escape from Pretoria’ Roots a Prison Break in Historical Resistance
    1st Mar 2020

    GFF REVIEW: ‘Escape from Pretoria’ Roots a Prison Break in Historical Resistance

    Carmen Paddock
  • The Césars 2020: A Shameful Evening for French Cinema
    1st Mar 2020

    The Césars 2020: A Shameful Evening for French Cinema

    Ariel Kling
  • Sion Sono: Worldwide Man
    29th Feb 2020

    Sion Sono: Worldwide Man

    inherentlyviced
  • REVIEW: ‘Portrait of a Lady on Fire’ Teaches us Patience is a Virtue
    28th Feb 2020

    REVIEW: ‘Portrait of a Lady on Fire’ Teaches us Patience is a Virtue

    Georgia Davis
  • REVIEW: ‘Dark Waters’ (2020) Ruffalo Shines in Todd Haynes’ Bleak Legal Drama
    28th Feb 2020

    REVIEW: ‘Dark Waters’ (2020) Ruffalo Shines in Todd Haynes’ Bleak Legal Drama

    Kevin Woodley
  • Jodie Foster Films, Ranked.
    25th Feb 2020

    Jodie Foster Films, Ranked.

    Charlie Little
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