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ARCHIVE

  • AFI FEST REVIEW: ‘I’m Your Woman’ (2020) is a Thrilling Kind of Empowerment
    7th Nov 2020

    AFI FEST REVIEW: ‘I’m Your Woman’ (2020) is a Thrilling Kind of Empowerment

    Dysan Aufar
  • MFF REVIEW: ‘Minari’ (2020) is Fulfilling in Its True-to-Life Form
    1st Nov 2020

    MFF REVIEW: ‘Minari’ (2020) is Fulfilling in Its True-to-Life Form

    Bethany Datuin
  • NIGHTSTREAM REVIEW: Isolation and Paranoia Unravel Reality in ‘Bleed With Me’ (2020)
    30th Oct 2020

    NIGHTSTREAM REVIEW: Isolation and Paranoia Unravel Reality in ‘Bleed With Me’ (2020)

    Shania Russell
  • Top of the Docs #37 – LFF Special: ‘If It Were Love’ (2020) Reminisces on Human Touch
    29th Oct 2020

    Top of the Docs #37 – LFF Special: ‘If It Were Love’ (2020) Reminisces on Human Touch

    Emily Maskell
  • Top of the Docs #36 – LFF Special: ‘Time’ (2020)
    29th Oct 2020

    Top of the Docs #36 – LFF Special: ‘Time’ (2020)

    Joel Whitaker
  • LFF REVIEW: ‘Bloody Nose, Empty Pockets’ (2020) Blurs Fact & Fiction To Fascinating Effect
    28th Oct 2020

    LFF REVIEW: ‘Bloody Nose, Empty Pockets’ (2020) Blurs Fact & Fiction To Fascinating Effect

    Sophie Butcher
  • LFF REVIEW: ‘New Order’ (2020) is a Chaotic, Ultra-Violent Dystopian Warning
    26th Oct 2020

    LFF REVIEW: ‘New Order’ (2020) is a Chaotic, Ultra-Violent Dystopian Warning

    Kevin Woodley
  • LFF REVIEW: ‘Ammonite’ (2020) is a Beautifully Polished Period Lesbian Love Story
    25th Oct 2020

    LFF REVIEW: ‘Ammonite’ (2020) is a Beautifully Polished Period Lesbian Love Story

    Emily Maskell
  • REVIEW: ‘American Utopia’ Shows David Byrne Is As Good As He Ever Was
    23rd Oct 2020

    REVIEW: ‘American Utopia’ Shows David Byrne Is As Good As He Ever Was

    jamespalmerfilm
  • LFF REVIEW: ‘The Intruder’ (2020) is a Dull, Ineffective Paranormal Thriller
    23rd Oct 2020

    LFF REVIEW: ‘The Intruder’ (2020) is a Dull, Ineffective Paranormal Thriller

    Kevin Woodley
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