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ARCHIVE

  • LAAPFF 2021 REVIEW: ‘Blush’ (2021) Adds Layers of Emotional Grief and Brings Catharsis
    15th Oct 2021

    LAAPFF 2021 REVIEW: ‘Blush’ (2021) Adds Layers of Emotional Grief and Brings Catharsis

    Nuha Hassan
  • TIFF REVIEW: ‘Ali & Ava’ (2021) Blends Romance and Realism with Mixed Results
    7th Oct 2021

    TIFF REVIEW: ‘Ali & Ava’ (2021) Blends Romance and Realism with Mixed Results

    Joel Whitaker
  • The Humanity of 2000s Postmodernist Cinema
    2nd Oct 2021

    The Humanity of 2000s Postmodernist Cinema

    McKinzie Smith
  • INTERVIEW: ‘The Tape’ (2021) – Martha Tilston Makes Her Music Come Alive On Screen
    29th Sep 2021

    INTERVIEW: ‘The Tape’ (2021) – Martha Tilston Makes Her Music Come Alive On Screen

    Hayley Paskevich
  • REVIEW: ‘Freshman Year’ (2019) is a Romantic Ode to Messy, Lonely, Glorious College Years
    28th Sep 2021

    REVIEW: ‘Freshman Year’ (2019) is a Romantic Ode to Messy, Lonely, Glorious College Years

    Joshua Sorensen
  • Going ‘Down With Love’: Sex, Lies, and Romantic Comedies
    27th Sep 2021

    Going ‘Down With Love’: Sex, Lies, and Romantic Comedies

    Megan Robinson
  • REVIEW: ‘Surge’ (2021) Expresses the Tensions of a Repetitive Society
    26th Sep 2021

    REVIEW: ‘Surge’ (2021) Expresses the Tensions of a Repetitive Society

    Nuha Hassan
  • Perfect Humiliation: ‘All About Lily Chou-Chou’ (2001), Adolescence, and the Dawn of the Internet Loner
    22nd Sep 2021

    Perfect Humiliation: ‘All About Lily Chou-Chou’ (2001), Adolescence, and the Dawn of the Internet Loner

    Tyler Simeone
  • REVIEW: ‘Werewolves Within’ (2021) Promises Innovation But Is Barely Competent
    15th Sep 2021

    REVIEW: ‘Werewolves Within’ (2021) Promises Innovation But Is Barely Competent

    Ceridwen Millington
  • INTERVIEW: Meghan Weinstein, Kasia Szarek, and Shantell Yasmine Abeydeera Talk ‘The Influencer’
    14th Sep 2021

    INTERVIEW: Meghan Weinstein, Kasia Szarek, and Shantell Yasmine Abeydeera Talk ‘The Influencer’

    McKinzie Smith
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