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ARCHIVE

  • Female Spaces in Masculine Places: Examining the Heroine’s Journey in ‘Twilight’ (2008) and ‘Midsommar’ (2019)
    23rd Aug 2020

    Female Spaces in Masculine Places: Examining the Heroine’s Journey in ‘Twilight’ (2008) and ‘Midsommar’ (2019)

    Mia Sherry
  • Now That’s What I Call Kino #4 – The Absurdity of the Cold War Conflict in One, Two, Three (1961)
    23rd Aug 2020

    Now That’s What I Call Kino #4 – The Absurdity of the Cold War Conflict in One, Two, Three (1961)

    jamespalmerfilm
  • REVIEW: ‘Starting At Zero’ (2020)  Imagines A Brighter Future for Early Childhood Education
    22nd Aug 2020

    REVIEW: ‘Starting At Zero’ (2020) Imagines A Brighter Future for Early Childhood Education

    Shania Russell
  • SUNDANCE LONDON REVIEW: Adolescence and Electioneering Collide in ‘Boys State’ (2020)
    21st Aug 2020

    SUNDANCE LONDON REVIEW: Adolescence and Electioneering Collide in ‘Boys State’ (2020)

    Ben Taylor
  • When ‘No Good’ is Just Right: Barbara Loden’s ‘Wanda’ (1970) as a Balm for The Pandemic Pessimist
    21st Aug 2020

    When ‘No Good’ is Just Right: Barbara Loden’s ‘Wanda’ (1970) as a Balm for The Pandemic Pessimist

    Caitlin Wilson
  • SUNDANCE LONDON REVIEW: ‘Luxor’ (2020) Excavates an Enigmatic Love Affair
    20th Aug 2020

    SUNDANCE LONDON REVIEW: ‘Luxor’ (2020) Excavates an Enigmatic Love Affair

    Ben Taylor
  • FANTASIA 2020 REVIEW: ‘Clapboard Jungle’ (2020) and the Harsh Reality of Independent Filmmaking
    19th Aug 2020

    FANTASIA 2020 REVIEW: ‘Clapboard Jungle’ (2020) and the Harsh Reality of Independent Filmmaking

    Alina Faulds
  • How ‘Alien’ (1979) Queered the Binaries of Traditional Gender
    18th Aug 2020

    How ‘Alien’ (1979) Queered the Binaries of Traditional Gender

    Michaela Barton
  • Now That’s What I Call Kino #3 – The Visual Imagery of Casablanca
    16th Aug 2020

    Now That’s What I Call Kino #3 – The Visual Imagery of Casablanca

    jamespalmerfilm
  • REVIEW: Zoom-based horror ‘Host’ (2020) is short, sharp and scary
    16th Aug 2020

    REVIEW: Zoom-based horror ‘Host’ (2020) is short, sharp and scary

    Kevin Woodley
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