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ARCHIVE

  • REVIEW: ‘Dogs Don’t Wear Pants’ (2019) is a Twisted Tale Suspended in Time
    6th Aug 2020

    REVIEW: ‘Dogs Don’t Wear Pants’ (2019) is a Twisted Tale Suspended in Time

    Lily Morgan
  • ‘Ticked-Off Trannies with Knives’ (2010): Flipping the Script for Trans Women in Horror
    5th Aug 2020

    ‘Ticked-Off Trannies with Knives’ (2010): Flipping the Script for Trans Women in Horror

    Jenni Holtz
  • REVIEW: Oversaturated Writing is the Weakest Aspect of ‘The Kissing Booth 2’ (2020)
    5th Aug 2020

    REVIEW: Oversaturated Writing is the Weakest Aspect of ‘The Kissing Booth 2’ (2020)

    Alina Faulds
  • REVIEW: ‘The Assistant’ (2020) is an Unflinching Look at Harassment in the Workplace
    3rd Aug 2020

    REVIEW: ‘The Assistant’ (2020) is an Unflinching Look at Harassment in the Workplace

    Gavin Spoors
  • Now That’s What I Call Kino #1 – The Illustrious Career of Olivia de Havilland
    2nd Aug 2020

    Now That’s What I Call Kino #1 – The Illustrious Career of Olivia de Havilland

    jamespalmerfilm
  • REVIEW: ‘Mucho Mucho Amor’ (2020) and the Eternal Magnetism of Walter Mercado
    1st Aug 2020

    REVIEW: ‘Mucho Mucho Amor’ (2020) and the Eternal Magnetism of Walter Mercado

    Thalia Castro
  • ‘Mulholland Drive’ (2001) and the Artifice of the American Dream
    29th Jul 2020

    ‘Mulholland Drive’ (2001) and the Artifice of the American Dream

    Jennifer Maxwell
  • Criminal Record # 8 – Crime Scene – LA in Double Indemnity
    28th Jul 2020

    Criminal Record # 8 – Crime Scene – LA in Double Indemnity

    fedortot
  • Christmas in July: Flip Screen’s Top Festive Picks
    28th Jul 2020

    Christmas in July: Flip Screen’s Top Festive Picks

    Jenni Holtz
  • Framing the Unknown: The Mind-Bending Films of Justin Benson and Aaron Moorhead
    27th Jul 2020

    Framing the Unknown: The Mind-Bending Films of Justin Benson and Aaron Moorhead

    Rory Doherty
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