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ARCHIVE

  • MHAM: A World of Unsane Women – A Look Into ‘Unsane’ (2018)
    27th May 2020

    MHAM: A World of Unsane Women – A Look Into ‘Unsane’ (2018)

    Jacinda Perez
  • REVIEW: ‘Capone’ (2020) is on the Cusp of Greatness
    26th May 2020

    REVIEW: ‘Capone’ (2020) is on the Cusp of Greatness

    Caillin McDaid
  • REVIEW: Ruh Roh! ‘Scoob!’ (2020) is a Confusing Vehicle for a Hanna-Barbera Shared Universe
    24th May 2020

    REVIEW: Ruh Roh! ‘Scoob!’ (2020) is a Confusing Vehicle for a Hanna-Barbera Shared Universe

    Thalia Castro
  • REVIEW: ‘Blood Quantum’ (2020) is a Fascinating Native Reinvention of the Age-Old Zombie Genre 
    23rd May 2020

    REVIEW: ‘Blood Quantum’ (2020) is a Fascinating Native Reinvention of the Age-Old Zombie Genre 

    Ariel Kling
  • Between the Lines: The Sincerity of the ‘Lars and the Real Girl’ Screenplay
    22nd May 2020

    Between the Lines: The Sincerity of the ‘Lars and the Real Girl’ Screenplay

    Gavin Spoors
  • Criminal Record #4 – “This is a Film About DOPE!” – Pickup Alley
    19th May 2020

    Criminal Record #4 – “This is a Film About DOPE!” – Pickup Alley

    fedortot
  • The Art of Yearning in Lesbian Cinema
    19th May 2020

    The Art of Yearning in Lesbian Cinema

    Michaela Barton
  • REVIEW: ‘Z’ (2020) is an Imaginary Friend from Hell
    19th May 2020

    REVIEW: ‘Z’ (2020) is an Imaginary Friend from Hell

    Kevin Woodley
  • The Hopeless Governments of Roland Emmerich’s Films have Become Uncomfortably Relevant
    17th May 2020

    The Hopeless Governments of Roland Emmerich’s Films have Become Uncomfortably Relevant

    Robert Salusbury
  • The Feminism of Gracie Lou Freebush: ‘Miss Congeniality’ 20 years on
    16th May 2020

    The Feminism of Gracie Lou Freebush: ‘Miss Congeniality’ 20 years on

    hrgibs
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