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ARCHIVE

  • Flip Screen’s Guide to April (Quarantine Edition)
    6th Apr 2020

    Flip Screen’s Guide to April (Quarantine Edition)

    georgeforster1998
  • GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing
    5th Apr 2020

    GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing

    Sophie Butcher
  • REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward
    5th Apr 2020

    REVIEW: ‘The Complex’ (2020) is an Admirable Attempt at Pushing the Interactive Film Genre Forward

    Gavin Spoors
  • BFI FLARE REVIEW: ‘My Fiona’ (2020) Is A Heartfelt Look at Love And Loss.
    2nd Apr 2020

    BFI FLARE REVIEW: ‘My Fiona’ (2020) Is A Heartfelt Look at Love And Loss.

    Emily Maskell
  • Battle of the Killer Prom Nights
    1st Apr 2020

    Battle of the Killer Prom Nights

    Jacinda Perez
  • A Call to Re-Evaluate Disability Tropes in Science Fiction
    29th Mar 2020

    A Call to Re-Evaluate Disability Tropes in Science Fiction

    Flip Screen
  • REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance
    28th Mar 2020

    REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance

    Sophie Butcher
  • BFI FLARE REVIEW: ‘Pride & Protest’ (2020) Proudly Voicing Activism
    28th Mar 2020

    BFI FLARE REVIEW: ‘Pride & Protest’ (2020) Proudly Voicing Activism

    Emily Maskell
  • ‘How to Train Your Dragon’ is More Relatable Than Ever 10 Years On
    27th Mar 2020

    ‘How to Train Your Dragon’ is More Relatable Than Ever 10 Years On

    Gavin Spoors
  • Review: ‘The Wolf Hour’ (2020) Naomi Watts Melts Away in Half-Baked Thriller
    26th Mar 2020

    Review: ‘The Wolf Hour’ (2020) Naomi Watts Melts Away in Half-Baked Thriller

    Kevin Woodley
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