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ARCHIVE

  • Jodie Foster Films, Ranked.
    25th Feb 2020

    Jodie Foster Films, Ranked.

    Charlie Little
  • REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic
    24th Feb 2020

    REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic

    Michaela Barton
  • REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More
    19th Feb 2020

    REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More

    Jenni Holtz
  • But Just How Gay is ‘The Lighthouse'(2019)?
    18th Feb 2020

    But Just How Gay is ‘The Lighthouse'(2019)?

    Michaela Barton
  • REVIEW: ‘The Staggering Girl’ (2020) Flaunts A Stunning Fashion-Consciousness
    15th Feb 2020

    REVIEW: ‘The Staggering Girl’ (2020) Flaunts A Stunning Fashion-Consciousness

    Emily Maskell
  • Eve’s Bayou (1997) is a Timeless Southern Gothic That Gives a Platform for Black Women
    12th Feb 2020

    Eve’s Bayou (1997) is a Timeless Southern Gothic That Gives a Platform for Black Women

    Jacinda Perez
  • REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script
    11th Feb 2020

    REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script

    Sophie Butcher
  • REVIEW: ‘Softness of Bodies’ Falls Short of Its Potential
    10th Feb 2020

    REVIEW: ‘Softness of Bodies’ Falls Short of Its Potential

    oakleymoranfilm
  • Marta is the Key to Why ‘Knives Out’ (2020) is so Brilliant
    9th Feb 2020

    Marta is the Key to Why ‘Knives Out’ (2020) is so Brilliant

    Gavin Spoors
  • SUNDANCE REVIEW: ‘Zola’ (2020) Proves the Power of Sex Workers Telling Their Own Stories
    8th Feb 2020

    SUNDANCE REVIEW: ‘Zola’ (2020) Proves the Power of Sex Workers Telling Their Own Stories

    Katarina Docalovich
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