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ARCHIVE

  • ‘Toy Story 4’ and the Love That Defines Us
    21st Jan 2020

    ‘Toy Story 4’ and the Love That Defines Us

    Paige Kiser
  • ‘Star Wars: The Rise of Skywalker’ and Its Failure to Reach a Cathartic Ending Through Reylo
    20th Jan 2020

    ‘Star Wars: The Rise of Skywalker’ and Its Failure to Reach a Cathartic Ending Through Reylo

    Thalia Castro
  • 100 Years of Pollyanna: The Legacy of Mary Pickford, and Recapturing Childhood Through Performance
    18th Jan 2020

    100 Years of Pollyanna: The Legacy of Mary Pickford, and Recapturing Childhood Through Performance

    Joel Whitaker
  • REVIEW: ‘1917 (2019)’ is a Technical Marvel and Not Much Else
    18th Jan 2020

    REVIEW: ‘1917 (2019)’ is a Technical Marvel and Not Much Else

    georgeforster1998
  • REVIEW: ‘Underwater’ is an Immersive and Intense Dive Into Depths Unknown
    14th Jan 2020

    REVIEW: ‘Underwater’ is an Immersive and Intense Dive Into Depths Unknown

    carolinehvd
  • Lesbian Love as Invention: Céline Sciamma’s ‘Portrait of a Lady on Fire’ (2019)
    10th Jan 2020

    Lesbian Love as Invention: Céline Sciamma’s ‘Portrait of a Lady on Fire’ (2019)

    RaeAnn Quick
  • Who Is Rey? – Why ‘The Rise of Skywalker’ (2019) Rey Reveal Is A Huge Missed Opportunity
    9th Jan 2020

    Who Is Rey? – Why ‘The Rise of Skywalker’ (2019) Rey Reveal Is A Huge Missed Opportunity

    Pim Wangtechawat
  • REVIEW: “The Disappearance of My Mother” (2019) Mistakes Intrusion for Intimacy
    9th Jan 2020

    REVIEW: “The Disappearance of My Mother” (2019) Mistakes Intrusion for Intimacy

    Katarina Docalovich
  • REVIEW: ‘Bottle Rocket’ (1996) Falls Flat To Other Wes Anderson Films
    8th Jan 2020

    REVIEW: ‘Bottle Rocket’ (1996) Falls Flat To Other Wes Anderson Films

    Keli Williams
  • Bait: The Great British Divide
    7th Jan 2020

    Bait: The Great British Divide

    jamespalmerfilm
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