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ARCHIVE

  • ‘Interstellar’, ‘Arrival’ and Sci-Fi: When Fiction Meets Reality
    13th Sep 2019

    ‘Interstellar’, ‘Arrival’ and Sci-Fi: When Fiction Meets Reality

    rebeccamccafferty12
  • The Florida Project: The Innocent Protagonist
    9th Sep 2019

    The Florida Project: The Innocent Protagonist

    jamespalmerfilm
  • The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist
    7th Sep 2019

    The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist

    Michaela Barton
  • Her Smell (2019) and “The Power of Going Backwards”
    7th Sep 2019

    Her Smell (2019) and “The Power of Going Backwards”

    rebeccamccafferty12
  • The Cinematic Universe of Sufjan Stevens’ Soundtracks
    6th Sep 2019

    The Cinematic Universe of Sufjan Stevens’ Soundtracks

    Emily Maskell
  • The Sweet, Complicated Process of Recovery in ‘Brigsby Bear’
    4th Sep 2019

    The Sweet, Complicated Process of Recovery in ‘Brigsby Bear’

    Paige Kiser
  • REVIEW: “An arrow perfectly aimed at the 1%” – ‘Ready or Not’ (2019)
    4th Sep 2019

    REVIEW: “An arrow perfectly aimed at the 1%” – ‘Ready or Not’ (2019)

    Kaleigh Howland
  • How Anna and Elsa Represent Summer in ‘Frozen’ (2013)
    1st Sep 2019

    How Anna and Elsa Represent Summer in ‘Frozen’ (2013)

    Shaun Alexander
  • REVIEW: “A Heartbreaking and Beautiful Restoration of a Film Pioneer” – Be Natural: The Untold Story of Alice Guy Blache
    30th Aug 2019

    REVIEW: “A Heartbreaking and Beautiful Restoration of a Film Pioneer” – Be Natural: The Untold Story of Alice Guy Blache

    Janet Reinschmidt
  • ‘Thirteen’ and its’ Relevancy 16 Years Later
    28th Aug 2019

    ‘Thirteen’ and its’ Relevancy 16 Years Later

    Jacinda Perez
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