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ARCHIVE

  • What Happened To Hope?: The Emotional Emptiness of Modern Cinema
    7th Sep 2021

    What Happened To Hope?: The Emotional Emptiness of Modern Cinema

    Ceridwen Millington
  • Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)
    3rd Sep 2021

    Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)

    lrostant
  • The Anatomy of Disturbing Films
    25th Jul 2021

    The Anatomy of Disturbing Films

    hannahgranberry
  • What ‘WandaVision’ Could Mean For the Future of Prestige TV
    30th Apr 2021

    What ‘WandaVision’ Could Mean For the Future of Prestige TV

    Ceridwen Millington
  • The Ethics of Filming Poverty: Who Has a Right to Tell ‘Nomadland’ (2020)?
    25th Apr 2021

    The Ethics of Filming Poverty: Who Has a Right to Tell ‘Nomadland’ (2020)?

    RaeAnn Quick
  • Did ‘Hannibal’ (2001) Cannibalise Itself?
    17th Mar 2021

    Did ‘Hannibal’ (2001) Cannibalise Itself?

    Ceridwen Millington
  • [Nostalgia Week] The Hidden Subtext of Nickelodeon
    8th Mar 2021

    [Nostalgia Week] The Hidden Subtext of Nickelodeon

    jamespalmerfilm
  • The Inspired Madness of ‘Greener Grass’ (2019)
    27th Feb 2021

    The Inspired Madness of ‘Greener Grass’ (2019)

    maxpfeldman
  • How ‘Dark Water’ (2005) Delivers What’s Lacking in ‘Relic’ (2020)
    23rd Feb 2021

    How ‘Dark Water’ (2005) Delivers What’s Lacking in ‘Relic’ (2020)

    alishamughal
  • 20th Anniversary of ‘Unbreakable’ (2000): What M. Night Shyamalan Gets Right About Superheroes
    20th Feb 2021

    20th Anniversary of ‘Unbreakable’ (2000): What M. Night Shyamalan Gets Right About Superheroes

    harrikd
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