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ARCHIVE

  • GFF REVIEW: ‘Eye of the Storm’ (2021) is an Endearing Look at an Artist Late in His Career
    5th Mar 2021

    GFF REVIEW: ‘Eye of the Storm’ (2021) is an Endearing Look at an Artist Late in His Career

    Jack Cameron
  • REVIEW: ‘Hillbilly Elegy’ (2020) Has an Underlying Authenticity
    5th Mar 2021

    REVIEW: ‘Hillbilly Elegy’ (2020) Has an Underlying Authenticity

    fionahughes07
  • GFF REVIEW: ‘Sweetheart’ (2021) is an Instant Coming of Age Classic
    4th Mar 2021

    GFF REVIEW: ‘Sweetheart’ (2021) is an Instant Coming of Age Classic

    Sophie Butcher
  • GFF REVIEW: ‘Iorram (Boat Song)’ (2021) is a Gentle Collage of Living History
    4th Mar 2021

    GFF REVIEW: ‘Iorram (Boat Song)’ (2021) is a Gentle Collage of Living History

    Jack Cameron
  • GFF REVIEW: ‘The Swordsman’ (2020) is Enjoyable but Nothing New
    2nd Mar 2021

    GFF REVIEW: ‘The Swordsman’ (2020) is Enjoyable but Nothing New

    Jack Cameron
  • REVIEW: ‘Ave Maryam’ (2018) Shows the Inner Struggles of a Forbidden Love
    1st Mar 2021

    REVIEW: ‘Ave Maryam’ (2018) Shows the Inner Struggles of a Forbidden Love

    Nuha Hassan
  • REVIEW: ‘One Night in Miami’ (2020) is a Triumph of Black Humanity
    28th Feb 2021

    REVIEW: ‘One Night in Miami’ (2020) is a Triumph of Black Humanity

    Bailey Herdé
  • GFF REVIEW: ‘The Mauritanian’ (2021) Levels Up The Conventional Legal Drama
    26th Feb 2021

    GFF REVIEW: ‘The Mauritanian’ (2021) Levels Up The Conventional Legal Drama

    Sophie Butcher
  • Top of the Docs #41 – IFFR Special: ‘Les sorcieres de l’Orient’ (2021)
    25th Feb 2021

    Top of the Docs #41 – IFFR Special: ‘Les sorcieres de l’Orient’ (2021)

    Joel Whitaker
  • GFF REVIEW: ‘Creation Stories’ (2021) is a Self-Indulgent Disappointment
    25th Feb 2021

    GFF REVIEW: ‘Creation Stories’ (2021) is a Self-Indulgent Disappointment

    Jack Cameron
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