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ARCHIVE

  • That’s So Gay…Because It Actually Is
    15th Dec 2020

    That’s So Gay…Because It Actually Is

    Michaela Barton
  • Now That’s What I Call Kino #15 – The Original Christmasploitation Genre
    13th Dec 2020

    Now That’s What I Call Kino #15 – The Original Christmasploitation Genre

    jamespalmerfilm
  • Now That’s What I Call Kino #14 – Rudolph the Red-Nosed Reindeer (1964)
    6th Dec 2020

    Now That’s What I Call Kino #14 – Rudolph the Red-Nosed Reindeer (1964)

    jamespalmerfilm
  • Between the Lines: NFF Writers Talk About Their Short Films
    27th Nov 2020

    Between the Lines: NFF Writers Talk About Their Short Films

    Gavin Spoors
  • Loud but Not So Proud
    17th Nov 2020

    Loud but Not So Proud

    Michaela Barton
  • Women in Horror Presents: The Scream Queen Awards
    5th Nov 2020

    Women in Horror Presents: The Scream Queen Awards

    Jacinda Perez
  • Top of the Docs #37 – LFF Special: ‘If It Were Love’ (2020) Reminisces on Human Touch
    29th Oct 2020

    Top of the Docs #37 – LFF Special: ‘If It Were Love’ (2020) Reminisces on Human Touch

    Emily Maskell
  • Top of the Docs #36 – LFF Special: ‘Time’ (2020)
    29th Oct 2020

    Top of the Docs #36 – LFF Special: ‘Time’ (2020)

    Joel Whitaker
  • Now That’s What I Call Kino #13 – The Significance of ‘Night of the Living Dead’
    25th Oct 2020

    Now That’s What I Call Kino #13 – The Significance of ‘Night of the Living Dead’

    jamespalmerfilm
  • Between the Lines: How David Robert Mitchell Writes Horror in the ‘It Follows’ (2014) Screenplay
    24th Oct 2020

    Between the Lines: How David Robert Mitchell Writes Horror in the ‘It Follows’ (2014) Screenplay

    Gavin Spoors
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