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ARCHIVE

  • The Ten Best TV Episodes of 2020
    21st Dec 2020

    The Ten Best TV Episodes of 2020

    jamespalmerfilm
  • ‘The Boys’: A Critique on the Consumption of the Superhero Genre
    20th Dec 2020

    ‘The Boys’: A Critique on the Consumption of the Superhero Genre

    Nuha Hassan
  • REVIEW: ‘Anything for Jackson’ (2020) is a Delightfully Twisted Horror With Real Charm
    20th Dec 2020

    REVIEW: ‘Anything for Jackson’ (2020) is a Delightfully Twisted Horror With Real Charm

    Kevin Woodley
  • Now That’s What I Call Kino #16 – Classic Christmas Films
    20th Dec 2020

    Now That’s What I Call Kino #16 – Classic Christmas Films

    jamespalmerfilm
  • The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)
    19th Dec 2020

    The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)

    Bailey Herdé
  • Between the Lines: The Fantastical Imagery in the ‘Paddington 2’ (2017) Screenplay
    18th Dec 2020

    Between the Lines: The Fantastical Imagery in the ‘Paddington 2’ (2017) Screenplay

    Gavin Spoors
  • 10 Years On, ‘Tron: Legacy’ (2010) Deserves More Credit for its Ambitions
    17th Dec 2020

    10 Years On, ‘Tron: Legacy’ (2010) Deserves More Credit for its Ambitions

    Gavin Spoors
  • Sally’s Piece: A Christmas Ode to the Queen of Halloween
    16th Dec 2020

    Sally’s Piece: A Christmas Ode to the Queen of Halloween

    Jacinda Perez
  • REVIEW: ‘Mank’ (2020) is a Light-Attempt at Recreating Golden Age Hollywood
    15th Dec 2020

    REVIEW: ‘Mank’ (2020) is a Light-Attempt at Recreating Golden Age Hollywood

    jamespalmerfilm
  • Now That’s What I Call Kino #15 – The Original Christmasploitation Genre
    13th Dec 2020

    Now That’s What I Call Kino #15 – The Original Christmasploitation Genre

    jamespalmerfilm
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