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ARCHIVE

  • REVIEW: ‘Wonder Woman 1984’ (2020) is Good, But It Could Be Better
    9th Jan 2021

    REVIEW: ‘Wonder Woman 1984’ (2020) is Good, But It Could Be Better

    Hayley Paskevich
  • ‘American Psycho’ (2000) and ‘From Hell’ (2001) – 20 Years of Untapped Potential
    5th Jan 2021

    ‘American Psycho’ (2000) and ‘From Hell’ (2001) – 20 Years of Untapped Potential

    Ceridwen Millington
  • REVIEW: ‘Durgamati’ (2020) is Cursed with Weak Writing
    21st Dec 2020

    REVIEW: ‘Durgamati’ (2020) is Cursed with Weak Writing

    Vikas Yadav
  • REVIEW: ‘Anything for Jackson’ (2020) is a Delightfully Twisted Horror With Real Charm
    20th Dec 2020

    REVIEW: ‘Anything for Jackson’ (2020) is a Delightfully Twisted Horror With Real Charm

    Kevin Woodley
  • Now That’s What I Call Kino #16 – Classic Christmas Films
    20th Dec 2020

    Now That’s What I Call Kino #16 – Classic Christmas Films

    jamespalmerfilm
  • REVIEW: ‘The Bee Gees: How Can You Mend A Broken Heart’ (2020) Proves Disco Doesn’t Suck
    19th Dec 2020

    REVIEW: ‘The Bee Gees: How Can You Mend A Broken Heart’ (2020) Proves Disco Doesn’t Suck

    Bailey Herdé
  • REVIEW: ‘Wander Darkly’ (2020) is an Uncertain Telling of the Trauma of Loss, and the Pain of Grief.
    19th Dec 2020

    REVIEW: ‘Wander Darkly’ (2020) is an Uncertain Telling of the Trauma of Loss, and the Pain of Grief.

    erinbaconn
  • The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)
    19th Dec 2020

    The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)

    Bailey Herdé
  • Between the Lines: The Fantastical Imagery in the ‘Paddington 2’ (2017) Screenplay
    18th Dec 2020

    Between the Lines: The Fantastical Imagery in the ‘Paddington 2’ (2017) Screenplay

    Gavin Spoors
  • 10 Years On, ‘Tron: Legacy’ (2010) Deserves More Credit for its Ambitions
    17th Dec 2020

    10 Years On, ‘Tron: Legacy’ (2010) Deserves More Credit for its Ambitions

    Gavin Spoors
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