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ARCHIVE

  • “One is not born, but rather becomes, woman”: Identity and Performativity in Céline Sciamma’s ‘Water Lilies’ (2007)
    16th Jul 2020

    “One is not born, but rather becomes, woman”: Identity and Performativity in Céline Sciamma’s ‘Water Lilies’ (2007)

    Vittoria Benedetti
  • REVIEW:  ‘House of Hummingbird’ (2018) Soars Beyond Any Expectations
    10th Jul 2020

    REVIEW: ‘House of Hummingbird’ (2018) Soars Beyond Any Expectations

    Ceridwen Millington
  • How ‘It Follows’ (2014) Re-Imagines the Final Girl
    8th Jul 2020

    How ‘It Follows’ (2014) Re-Imagines the Final Girl

    Jenni Holtz
  • How Subtext Saved (and Damned) Homosexuality on Screen
    7th Jul 2020

    How Subtext Saved (and Damned) Homosexuality on Screen

    Micah Slater
  • REVIEW: Shudder Original ‘The Beach House’ (2020) is Neither Scary nor Memorable
    6th Jul 2020

    REVIEW: Shudder Original ‘The Beach House’ (2020) is Neither Scary nor Memorable

    Kevin Woodley
  • REVIEW: ‘In Her Hands’ (2020) is a Heart-warming, if Heavily Clichéd, Demonstration of the Power of Music
    6th Jul 2020

    REVIEW: ‘In Her Hands’ (2020) is a Heart-warming, if Heavily Clichéd, Demonstration of the Power of Music

    Josh Sandy
  • REVIEW: ‘Babyteeth’ (2019)  is a Daring Tale of Young Love that May Literally Send Shivers Down Your Spine
    1st Jul 2020

    REVIEW: ‘Babyteeth’ (2019) is a Daring Tale of Young Love that May Literally Send Shivers Down Your Spine

    Ariel Kling
  • Criminal Record #6 – Denzel Washington and the Value of Charisma
    30th Jun 2020

    Criminal Record #6 – Denzel Washington and the Value of Charisma

    fedortot
  • PRIDE 2020: “It makes me feel free, or some shit” – Coming Out of Hiding as Portrayed in ‘Slap’ (2014) and ‘Miller & Son’ (2019)
    30th Jun 2020

    PRIDE 2020: “It makes me feel free, or some shit” – Coming Out of Hiding as Portrayed in ‘Slap’ (2014) and ‘Miller & Son’ (2019)

    Rebecca Rosén
  • REVIEW: ‘Clemency’ (2019) is a Quiet, Devastating Study on the People Involved with Death Row
    29th Jun 2020

    REVIEW: ‘Clemency’ (2019) is a Quiet, Devastating Study on the People Involved with Death Row

    Gavin Spoors
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