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ARCHIVE

  • Lin Shaye, ‘The Godmother of Horror’
    29th Jan 2020

    Lin Shaye, ‘The Godmother of Horror’

    Jacinda Perez
  • REVIEW: ‘Bombshell’ Runs Scared From the Complex Political Environment in Which it is Set
    28th Jan 2020

    REVIEW: ‘Bombshell’ Runs Scared From the Complex Political Environment in Which it is Set

    Joel Whitaker
  • SUNDANCE REVIEW: I Dare You to Call an Uber After Watching ‘Spree’ (2020)
    27th Jan 2020

    SUNDANCE REVIEW: I Dare You to Call an Uber After Watching ‘Spree’ (2020)

    Katarina Docalovich
  • ‘Parasite’ (2019) and the Myth of Upward Mobility
    25th Jan 2020

    ‘Parasite’ (2019) and the Myth of Upward Mobility

    georgeforster1998
  • REVIEW: ‘Corpus Christi’ (2019) is a Meditation on the Paradoxes of Faith
    24th Jan 2020

    REVIEW: ‘Corpus Christi’ (2019) is a Meditation on the Paradoxes of Faith

    Jenni Holtz
  • All Gold Everything: The Dark Fantasy of the Safdie Brothers’ Uncut Gems (2019)
    24th Jan 2020

    All Gold Everything: The Dark Fantasy of the Safdie Brothers’ Uncut Gems (2019)

    Joe Cross
  • Between the Lines: The Screenplay Oscar Nominees
    24th Jan 2020

    Between the Lines: The Screenplay Oscar Nominees

    Gavin Spoors
  • REVIEW: ‘Church and State’ (2018) Represents Both Sides of the Argument With Compassion and Respect
    23rd Jan 2020

    REVIEW: ‘Church and State’ (2018) Represents Both Sides of the Argument With Compassion and Respect

    RaeAnn Quick
  • Raw (2016) is a Radical Coming of Age Horror Film That Gives Women Power Over Their Desires
    22nd Jan 2020

    Raw (2016) is a Radical Coming of Age Horror Film That Gives Women Power Over Their Desires

    Jenni Holtz
  • That’s So Gay… A Column Investigating LGBTQ+ Subtext in Film
    21st Jan 2020

    That’s So Gay… A Column Investigating LGBTQ+ Subtext in Film

    Michaela Barton
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