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ARCHIVE

  • NYFF REVIEW: ‘Beanpole’ (2019) Shines a Light on Postwar Female Solidarity and Anguish
    16th Oct 2019

    NYFF REVIEW: ‘Beanpole’ (2019) Shines a Light on Postwar Female Solidarity and Anguish

    Katarina Docalovich
  • LFF Review: “Iannucci conjures a picturesque delight” – The Personal History of David Copperfield
    16th Oct 2019

    LFF Review: “Iannucci conjures a picturesque delight” – The Personal History of David Copperfield

    Fatima
  • Top 13 Disney Channel Original Movies for the Halloween Season
    15th Oct 2019

    Top 13 Disney Channel Original Movies for the Halloween Season

    Thalia Castro
  • NYFF REVIEW: “The Only Thing Spookier Than the Undead is the White Male Gaze” – ‘Zombi Child’ (2019)
    15th Oct 2019

    NYFF REVIEW: “The Only Thing Spookier Than the Undead is the White Male Gaze” – ‘Zombi Child’ (2019)

    Katarina Docalovich
  • LFF REVIEW: “Sentimental and contemplative of long-term relationships” – ‘Marriage Story’ (2019)
    14th Oct 2019

    LFF REVIEW: “Sentimental and contemplative of long-term relationships” – ‘Marriage Story’ (2019)

    Emily Gett
  • LFF REVIEW: “Not the beautiful and mysterious creature it wants to be” – Little Joe (2019)
    14th Oct 2019

    LFF REVIEW: “Not the beautiful and mysterious creature it wants to be” – Little Joe (2019)

    Rahul Patel
  • On Unbecoming a Hero: Why and How ‘Ad Astra’ Resembles The Odyssey
    12th Oct 2019

    On Unbecoming a Hero: Why and How ‘Ad Astra’ Resembles The Odyssey

    Derek Sharp
  • LFF REVIEW: “A Jigsaw That Was Always Meant to be Together” – ‘The House of Us’ (2019)
    11th Oct 2019

    LFF REVIEW: “A Jigsaw That Was Always Meant to be Together” – ‘The House of Us’ (2019)

    Georgia Davis
  • LFF REVIEW: “A quiet, bittersweet gem” – ‘Monsoon’ (2019)
    10th Oct 2019

    LFF REVIEW: “A quiet, bittersweet gem” – ‘Monsoon’ (2019)

    Ben Taylor
  • Falling into Place: Balance, Power, and ‘Suspiria’ (2018)
    10th Oct 2019

    Falling into Place: Balance, Power, and ‘Suspiria’ (2018)

    Ariana Martinez
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