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ARCHIVE

  • He’s Not Like Us: ‘Midnight Special’s Queer Otherness
    30th Jun 2019

    He’s Not Like Us: ‘Midnight Special’s Queer Otherness

    Flip Screen
  • Bears, Otters and Werewolves – Our Queer Love For Horror
    30th Jun 2019

    Bears, Otters and Werewolves – Our Queer Love For Horror

    Michaela Barton
  • REVIEW: ‘Saving Face’ in a Heterosexual World
    29th Jun 2019

    REVIEW: ‘Saving Face’ in a Heterosexual World

    Lauren Peterson
  • REVIEW: “A Subject Struck With Gold” – ‘Life In the Doghouse’ (2018)
    27th Jun 2019

    REVIEW: “A Subject Struck With Gold” – ‘Life In the Doghouse’ (2018)

    Emily Maskell
  • REVIEW: “Say No to the Dress!” – ‘In Fabric’ (2019)
    25th Jun 2019

    REVIEW: “Say No to the Dress!” – ‘In Fabric’ (2019)

    Jenni Holtz
  • REVIEW: “The Ultimate Feel-Good Romantic Comedy” – ‘Always Be My Maybe’ (2019)
    18th Jun 2019

    REVIEW: “The Ultimate Feel-Good Romantic Comedy” – ‘Always Be My Maybe’ (2019)

    Emily Gett
  • Disney Remakes: The Implications For 2D Animation
    17th Jun 2019

    Disney Remakes: The Implications For 2D Animation

    obsessreviews
  • Five Great Closing Movie Tracks
    15th Jun 2019

    Five Great Closing Movie Tracks

    fedortot
  • SUNDANCE REVIEW: “Funny yet thought-provoking” – Hail Satan? (2019)
    15th Jun 2019

    SUNDANCE REVIEW: “Funny yet thought-provoking” – Hail Satan? (2019)

    Emily Maskell
  • Revisiting Kill Bill: Why I No Longer Enjoy The Tarantino Classics
    14th Jun 2019

    Revisiting Kill Bill: Why I No Longer Enjoy The Tarantino Classics

    Thomas H. Sheriff
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