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ARCHIVE

  • “Well I would say I’m just drifting”: Quarter-Life Crisis Films Through the Ages
    31st Jul 2020

    “Well I would say I’m just drifting”: Quarter-Life Crisis Films Through the Ages

    samniccy
  • Criminal Record #6 – Denzel Washington and the Value of Charisma
    30th Jun 2020

    Criminal Record #6 – Denzel Washington and the Value of Charisma

    fedortot
  • PRIDE 2020: Sensationalised Lesbian Figures of a Distant Landscape in ‘The Killing of Sister George’ (1968)
    20th Jun 2020

    PRIDE 2020: Sensationalised Lesbian Figures of a Distant Landscape in ‘The Killing of Sister George’ (1968)

    Tilly Long
  • REVIEW: The House That Jack Built (2018) is “Fascinating but Gruesome”
    10th Jun 2020

    REVIEW: The House That Jack Built (2018) is “Fascinating but Gruesome”

    Jenni Holtz
  • 40 YEARS LATER: Getting Over Myself and Learning to Love Kubrick’s ‘The Shining’ – Part One
    8th Jun 2020

    40 YEARS LATER: Getting Over Myself and Learning to Love Kubrick’s ‘The Shining’ – Part One

    Derek Sharp
  • Why ‘The Morning Show’ (2019) is the Perfect Antidote to the Aftermath of Weinstein’s Hollywood
    26th May 2020

    Why ‘The Morning Show’ (2019) is the Perfect Antidote to the Aftermath of Weinstein’s Hollywood

    fionahughes07
  • She’s a Bad Mama Jama: A Dedication to Pamela Voorhees
    29th Apr 2020

    She’s a Bad Mama Jama: A Dedication to Pamela Voorhees

    Jacinda Perez
  • AFI’s 100 Years 100 Movies: Restructured
    26th Apr 2020

    AFI’s 100 Years 100 Movies: Restructured

    jamespalmerfilm
  • REVIEW: ‘Never, Rarely, Sometimes, Always’ is a Striking Feminist Manifesto on Unwanted Teenage Pregnancy
    25th Apr 2020

    REVIEW: ‘Never, Rarely, Sometimes, Always’ is a Striking Feminist Manifesto on Unwanted Teenage Pregnancy

    Ariel Kling
  • REVIEW: Swallow (2019) is “Horrifying Precisely Because of How Real it Feels”
    22nd Apr 2020

    REVIEW: Swallow (2019) is “Horrifying Precisely Because of How Real it Feels”

    Jenni Holtz
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